Percussion as architecture: resonant metal, skin, wood, and silence shaped through listening, tension, and open-ended movement.
Hand-built gongs and cymbals extend the instrument beyond function, giving each performance its own unstable, evolving voice.
A selection of recordings, collaborations, and live encounters from Porto’s experimental music community and far beyond.
Images, objects, and traces from a practice where sound becomes material, gesture becomes form, and listening becomes space.